“My Girl Is Far Right”: New Music Video Sparks Debate Over Labels, Satire and Political Identity

A newly released music video titled “My Girl Is Far Right,” which appeared on YouTube on 22 December 2025, has begun circulating widely online, drawing attention for its unapologetic satire, provocative lyrics, and the involvement of several well-known Irish activists and citizen journalists.

The video opens not with music, but with a deliberately staged skit, signalling from the outset that what follows is intended as commentary rather than a conventional music release. The opening scene features citizen journalist Phillip Dwyer, who appears to “bump into” whistle-blower John Wilson in a light-hearted exchange. Dwyer jokingly asks Wilson if he is “here to expose this carry on,” to which Wilson replies that he is there to take part “with like-minded people.” When Dwyer wonders aloud whether he would be welcome in the video, Wilson responds quickly: “Of course Phillip, we are very inclusive.”

The tone is immediately set — ironic, self-aware, and openly mocking of political labelling.

A title screen flashes across the video reading:

“Allegedly recording a ‘far right’ song as reported by citizen journalists.”

Satire Before Sound

The video returns with John Wilson on screen as Callum Lapsley enters frame, jokingly questioning Wilson’s whistle-blower status. Wilson replies sharply in the affirmative, prompting Lapsley’s quip: “Fair play — you can never have enough whistles.” The humour escalates as Cat enters the shot, loudly declaring she plays the flute, with Wilson replying dryly: “So I’ve heard.”

It is at this moment that the skit abruptly gives way to music, with exaggerated reactions from Cat and Cal as the track begins — reinforcing the sense that the entire production is intentionally theatrical.

Lyrics That Challenge the Label

Lapsley opens the song with lines that immediately set the political tone:

“She don’t like no corrupt governments / Flooding towns with illegal men.”

Cat follows with:

“He believes there’s only two genders / I called on God and he said Amen.”

The lyrics continue in this back-and-forth format, deliberately listing views that are often labelled “far right” in public discourse. Over a catchy beat punctuated by a prominent sax line, the song leans heavily into repetition and contrast:

“She believes that boys can’t have babies,”

“And he believes that chicks can’t have dicks.”

Together, they sing:

“If you don’t believe the things that we are saying,

Well we believe that you’re truly sick.”

The chorus — repeated throughout the track — drives home the central theme:

“My girl is far right,”

“My man is far right,”

“It’s just a label trying to make us unstable.”

Rather than rejecting the label outright, the song reframes it as a political tool, suggesting that ordinary beliefs are increasingly categorised as extreme.

Expanding the Message

Later verses tackle pharmaceutical companies, digital ID, cash usage, and bodily autonomy:

“He don’t trust no pharma companies controlled by all the global execs,”

“She believes in body autonomy,”

“She don’t believe in digital ID,”

“And he believes that cash should be king.”

One repeated refrain — “You’ve got to use it or you’re going to lose it” — reinforces concerns about personal freedoms and state control.

Visual Shift and Collective Finale

The video’s tone shifts again as activist and election candidate Dolores Webster appears dancing onscreen. The music changes pace, with a more anthemic section led by Lapsley:

“We’ll stand strong forever,

We’re in this fight together.”

The final scenes show a stage setup featuring musicians and a couch occupied by Dolores Webster, Daithí De Saográbh (activist and campaigner, Dublin), and Phillip Dwyer, as the group claps and sings along to the repeated chorus.

The song closes with Lapsley repeating:

“We fight all night to keep the light, that’s what’s being far right.”

Closing Message

In the final moments, the video returns to skit format. Dwyer is seen leaving a building alongside John Wilson and remarks:

“Jeenie John, that wasn’t far right at all.”

Wilson replies: “No Phillip — it was just right.”

The screen fades to black with a final message:

“Question everything, even the labels.”

Cultural Impact

Whether viewed as satire, protest music, or political commentary, “My Girl Is Far Right” is clearly designed to provoke discussion rather than consensus. By blending humour, familiar faces, and deliberately controversial lyrics, the creators challenge viewers to reconsider how political language is used — and who benefits from it.

As reactions continue to pour in online, one thing is clear: the song has succeeded in doing exactly what its closing message suggests — forcing audiences to question the label itself.

Check out the music video link below - Cat & Cal Youtube - My Girl Is Far Right ( Official Music Video )

Aaron Joyce

Newswire, L.T.T Media

Newsdesk

23 December 2025